‘The Infinite’ is an architectural exhibition co-curated by the Canadian Wood and Urban Environment Design (UED) Magazine, with AP in charge of the spatial design for the exhibition. The exhibition aims to explore the application of wood structures in modern architecture, as well as the advantages and benefits of wood structures. The entire exhibition is divided into three units: Boundless, Infinite, and Carbon-Free.

AP implemented a wooden frame structure within the exhibition space, which acts like a three-dimensional grid system. This structure not only meets the functional requirements for displaying the entire exhibition but also visually corresponds to the exhibition’s content, allowing audience to understand the idea of the exhibition: the wood structure.

This wooden frame system is also recyclable; like scaffolding, it can be dismantled and reassembled. After serving its purpose for this exhibition, it can be used in future scenarios. Wood, being a low-carbon and eco-friendly material, reflects AP’s hope that the design and construction of the exhibition would resonate with these characteristics.

The display content of the architectural works primarily consists of images and text, requiring sufficient flat space to accommodate. Due to the limited area of the space but a high ceiling advantage, AP also designed a set of exhibition racks that borrow space from the vertical dimension. These racks not only utilize the existing furniture in the space but also expand the display area.

「无尽：当代木结构实践展」是由加拿大木业与《城市 环境 设计》（UED）杂志联合策划的建筑展览，活络担纲了此次展览的空间设计。
此次展览意在探讨木结构在现代建筑中的运用以及木结构的优势和优点。整个展览分为三个单元，分别为：无界、无限和无碳。

活络在展厅空间中植入了一套木框架结构，这个木框架结构就如一个立体的网格系统，它不仅能承载整个展厅的展示功能需求，也在形式上呼应了展厅的内容，在视觉体验上，也能令观众在步入展厅后直观地感受到整个展览的核心：木结构。

这套木框架结构也是一个可以循环利用的系统，它就如脚手架一般，可拆卸、组装。在结束此次展览的使命后，它们也可以运用到将来的其他使用场景中去。木结构本身是一种低碳、环保的材料，活络希望展览的设计和建造也呼应这一特性。

建筑作品的展示内容多以图片和文字为主，需要足够的平铺面积承载，由于空间本身的面积有限，但优势是层高很高，活络还设计了一组能向垂直空间借面积的展架，不仅能利用到空间中的现有家具，还拓展了展示面。